#Mad max fury road free on youtube movie
I will say that this movie was only feminist in the sense that it treated women as people. This last one seems to be the issue that the Men’s Rights Activists have with the film (although apparently this criticism was made before any of them even saw the movie, so…). Furiousa is very inch as much a warrior as Max is, with equal skills and intelligence. Second, the main female protagonist is not a love interest, nor sexualized in any way. The scenes are incredibly vibrant, as opposed to the standard sepias used in most movies. Unlike many other dystopian action films, Fury Road stands out on two fronts. He escapes, then joins up (after a brief scuffle) with Furiosa and the wives in her giant War Rig, with the army of cars outfitted with spikes and exploding javelins in hot pursuit. Mad Max (Tom Hardy), who has been captured and used as a ‘blood bag’ to revitalize one of the pale war boys, is dragged out with the war party commanded to bring them back.
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Set in a post-nuclear desert where one man, Immortan Joe, controls the water in the Citadel, and has a dieselpunk army of doom cars with crazed half-life drivers called ‘war boys’, it tells the story of one of his captains, Imperator Furiousa (Charlize Theron), escaping with Joe’s harem of ‘wives’. Mad Max: Fury Road does all of these amazingly well.
It typically features a barren or destroyed environment ( The Matrix, Avatar, WALL-E), a totalitarian government ( Hunger Games, Divergent, V for Vendetta), and (usually as a result of the government) the dehumanization of everyone else ( Elysium, District 9, Brave New World). What is a dystopia exactly? If you want to be technical, it’s the opposite of a utopia – an imperfect place. Complete with a literal representation of the call to war – featuring a blind guy with a double-neck guitar flamethrower It was the purest dystopian film I had ever seen. Mad Max had advertised itself as a car chase across a post-apocalyptic desert, and that was exactly was it was.Īnd when I say ‘exactly’, I mean precisely. I am a huge fan of when movies do what they say on the tin (remind me to do a review of how terrible Lucy was from that standpoint), and hoped that this would deliver on the promise of the trailers. I hadn’t seen any of the previous Mad Max films, but figured as with most action movies, it would rely mostly on a light plot with heavy explosions (and don’t think that’s a criticism, there’s a reason I’ve marathoned the entire collection of the Fast and the Furious.
Me: So… does Tuesday at 6:30 work for everyone? *Hears that Men’s Right’s Activists are all upset by the feminism in it* My thought process on the new Mad Max movie went something like this: